Powerful Watercolor Technique (Most Tutorials Ignore) 💙 Blue Orchids

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This article is a summary of a YouTube video "Powerful Watercolor Technique (Most Tutorials Ignore) 💙 Blue Orchids" by Blossom Flower Delivery

Key insights about video Powerful Watercolor Technique (Most Tutorials Ignore) 💙 Blue Orchids

🎨 Wet on damp watercolor technique offers a unique approach that is often not covered in tutorials, allowing artists to achieve specific results.

🌺 This method is particularly useful for creating botanical art, enabling the addition of nuanced, realistic details.

📜 Wet on damp lies between wet on wet and wet on dry techniques, providing more control by allowing for the introduction of concentrated pigment before the paper completely dries.

🔍 Catching the right moment when the paper is damp but not dry is crucial to produce the desired soft effects with this technique.

🖌 Different colors and layered applications can be used with wet on damp to create variation and depth in the watercolor painting.

👩‍🎨 Separating the steps of wet on wet and wet on damp can make the process more manageable, especially for beginners.

🖼 Practicing on larger paper can make it easier to handle the technique as it allows for more time before the paper dries.

🌊 Experimenting with both brush shapes and sizes can bring different advantages, and some may be better suited for certain strokes and details.

🎨 Using transparent, non-granulating, staining colors is recommended to achieve sharper, clearer lines when applying the wet on damp method.

🖼 Full tutorials, including real-time painting sessions, are available for more in-depth learning of the wet on damp watercolor technique.

Timestamped Summary

00:20 The instructor introduces the "wet on damp" watercolor technique, which is between wet on dry and wet on wet and useful for botanical art.

01:20 Demonstrates how to start with a classic wet on wet technique by wetting the paper and adding yellow ocher and blue around the edges.

02:07 Shows the transition to the wet on damp technique by applying thick saturated phthalo blue on the slightly damp paper, explaining how the lines spread and soften.

03:25 Discusses the difference in appearance between lines made using wet on damp compared to those made on completely dry paper, noting that wet on dry lines lack the softness seen in the reference photo.

04:45 Returns to a completely dried petal to demonstrate adding more detail with saturated color using the wet on damp technique.

06:16 Recommends round brushes with a sharp tip for this technique, highlighting the advantages of synthetic brushes with a bit of natural fur for their longevity and water-carrying capacity.

07:03 Suggests using larger paper sizes for practicing the wet on damp technique as it allows for more extended working time while the paper is damp.

09:20 Encourages trying out different sizes and types of brushes, such as a rigger brush for longer lines or a very small round brush for short, precise strokes.

10:26 Announces the intention to add a new element to the painting per follower suggestions on social media, with the likely addition being a dragonfly next to the orchids.

11:10 Encourages the viewer to experiment with this technique on different subjects and to share their work on Instagram.

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Q&A

What is the technique called that is between wet on wet and wet on dry in watercolor painting?

The technique is called wet on damp.

Why might someone choose to use the wet on damp watercolor technique?

Using the wet on damp technique can help produce really cool results and capture natural, realistic looking details, especially in Botanical art.

At what point should you try the wet on damp technique during the painting process?

You should try the wet on damp technique right before your paper is completely dry, when it's slightly damp.

Can you separate the wet on dry and wet on damp steps to make the process more manageable?

Yes, you can separate the two steps by allowing the initial wet on wet layer to dry before applying the wet on damp technique.

What kind of colors are preferred for achieving sharper lines in the wet on damp technique?

Transparent, non-granulating, staining colors are preferred because they appear sharper and there's no granulation that can muddy up the overall effect.

What type of brush works best for longer, organic lines when using the wet on damp technique?

Rigger brushes, which are really long and thin, work best for longer, organic lines.

How can practicing on a larger size paper help when learning the wet on damp technique?

Working on a larger size paper makes it easier to practice the technique and get comfortable with the timing, as the paper stays damp longer which allows for more detailed work.